(According to Uijj Hjh Shamitabh is a 5 star movie)

this shamitabh is the second movie for dhanush in bollywood after the first movie ranjhana which was a huge blockbuster that also featured sonam kapoor. akshara hassan has lived upto to the expectations that were on her with the debut movie itself. she looks very confident in this much awaited movie shamitabh so this very good movie
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(According to Uijj Hjh Roar is a 5 star movie)

do you remember the song tujhe naa dekhoon toh chain mujhe aata nahi from 1993 film rang? if yes then you are likely to remember the guy opposite divya bharti. yes, i am talking about kamal sadanah, one of the cute heroes of early ‘90s. he is a director now and his debut venture tries to explore a lesser seen world. a wildlife photographer goes to the sunderbans, one of the most dense mangrove forests in the world, where he rescues a white tiger cub only to be discovered and killed by the cub’s mother. now, the photographer’s brother pandit (abhinav shukla), who is a commando by profession, is back in the tiger’s territory to avenge the death of his kin. but, despite being a trained soldier he is helpless in a land which belongs to the deadly wild creatures. what will happen to his vows then? is he on the right track? should the killer animal be treated as one lesser species and be spared the pain of death?
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(According to Uijj Hjh The Shaukeens is a 5 star movie)

this film is a disaster all right, but it is mitigated somewhat by a quirky if uneven subplot that has akshay playing himself and poking constant fun at the work that he has done thus far as a bollywood actor. as he shoots a regular flick in mauritius, the star awaits the arrival of a director named ranjit basu (subrat dutta). this guy has numerous national awards in his kitty and he has supposedly rustled up a role that could rescue akshay from the rs 100-crore rut. desperate to win a national award of his own, akshay gives the deadly boring director a long rope even as he spouts pretentious mumbo- jumbo about method acting and getting into the skin of a character. akshay does heed the man's sage advice, but not quite in the way that one would have imagined. matters spiral out of control and not the least because of the repeated intrusions into the actor's make-up tent by a crazy female fan. but all this is only secondary to the main narrative, and it is here that the film comes completely unstuck.
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(According to Uijj Hjh Rang Rasiya is a 4 star movie)

art-centric biopics are a rarity in hindi cinema. there isn't anything of significance, therefore, that rang rasiya can be measured against. just as well. this remarkable film is in a league of its own in many ways. writer-director ketan mehta's cinematic celebration of the life and times of raja ravi varma skillfully harmonises the sweep of period drama, the allure of pretty images and the impact of emotional intensity on a wide canvas that delivers more than just pretty frames. the film articulates ever-relevant truths about the continuing assaults on artistic freedom and the huge gap that separates the exuberance of the world of the imagination and the cruel exigencies of real life. rang rasiya is marked by a blindingly bright and bold colour palette that yields enthralling and evocative visuals. but that is only one aspect of the film. the remarkable story of the 19th century kerala- born painter who altered the face of indian art forever by taking the icons of hindu mythology out of the temples and royal palaces is told through flashbacks and the fragmentary reminiscences of raja ravi varma's no less illustrious protã©gã©, dhundiraj govind phalke. the film takes a while to gather momentum and begin to underscore the principal conflict points in the legendary artist's career. the narrative is marked by metaphorical blotches of darkness - these add multiple layers to the forceful drama and serve as counterpoints to the overwhelming beauty that cinematographer anil mehta puts on the screen. the film swings from the highs represented by the untrammeled passion that drives the process of creativity to the lows brought on by the myopic interventions of self-appointed guardians of conventional religious belief and morality, and glides across much else in between.
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(According to Uijj Hjh Mumbai 125 Km 3D is a 5 star movie)

if you going to watch a movie then you don't want how many it prize and how it is good . this movie is this type of thing which you mind ed . at first i watch the movie in my laptop because i have never money to watch the movie in hall
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(According to Uijj Hjh Sonali Cable is a 5 star movie)

s omewhere on paper, sonali cable might have been a solid idea. the basic concept -- of an enterprising girl selling broadband internet connections, making sure her customers are ever loyal and never offline -- is both naturally intriguing and certainly timely, like an updated version of the ronnie screwvala origin story. but unlike the utv founder's amazing tale, that of providing cable tv connections with illegal but curated content, here sonali is already up and running with three thousand connections under her belt. but hark, a reliance-like megacorporation is ruthlessly shutting down these neighbourhood cable-guys. it's a classic david and goliath showdown. except it isn't. sonali cable disconnects itself from the point of the film incredibly fast, littering itself with one- note characters stuck in cinematic cliches. leading lady rhea chakraborty (who we last saw in the very amusing mere dad ki maruti is suitably bright and cheerful, and while she throws out marathi phrases with much glee, her hindi the rest of the time is as delhi as it gets, free of any maharashtrian strains. but the girl, i assure you, is the good part. she has a few good moments, a few fine lines. the rest of the film -- made by debutant charudutt acharya -- is almost entirely disappointing, nosediving into maudlin drama in the second half to the point where the dramatic climax just sounds laughable. the film's first jarring note is hit by anupam kher, playing the evil magnate and hamming it up so dreadfully the film immediately becomes a cartoon. then there's sonali's right-hand-kid, a freshly plucked version of vivek mushran who ends up unbearably annoying. add to that a mix of drunken fathers, evil politicians, wicked mothers, goondas, friendly sikh grandparents, and snivelling necktie-wearers (who are, for some reason, awestruck by the mention of phoenix university). the very point of the film, of david and goliath, of an entrepreneurial young lady who takes on a capitalist dictator, is lost in this unnecessary drivel. this could well have been a film like band baajaa baaraat or rocket singh , films where we saw the lead characters innovate against the odds and do something their bigger rivals couldn't. that jugaadu ingenuity made us respect the characters. here, the closest thing to a hero just nods his head reproachfully while things go from bad to catastrophic. it is refreshing, of course, to have the girl in the driving seat, pushing the action forward. i just wish sonali had been given more to actually do rather than rely on every 'good' person in the film to show up for the climax and lend their (very insignificant) hands. one of the reasons i walked in hoping this'd be a great film was because i have a broadband-guy at home, not any of the usual big service providers, and he does a bang-up job. with customised service, help whenever i need it, and a fair bit of out-of-the-box (or out-of-the-router) thinking whenever he needs it. he finds out just what his clients wants and tailors the plans so intuitively that the big boys, looking only at each other's numbers, can never measure up. he does, of course, play as fast and loose with the truth as the situation demands, but there is something to be said for his unflappability. is he worth a movie? hell yeah. just a better one.
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(According to Uijj Hjh Haider is a 5 star movie)

vishal bhardwaj's brand of cinema is possibly the furthest thing from salman khan in the commercial indian filmscape, but the superstar is a recurring element in bharadwaj's latest film, haider. set in kashmir, in 1995, a pre-steroid khan is the inspiration here for two characters – both named salman – who are introduced to us in a hilarious, almost surreal sequence where they're attempting to copy the star's mannerisms as a song from one of his movies plays on a vcr. one of them even nails khan's tendency to blow at unruly strands of his long hair, back when the actor had long hair.
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(According to Uijj Hjh Happy New Year is a 5 star movie)

in the film happy new year , this a real story of a life. also love sharukh khan 8 pecks body in 50 years of age . deepika padukane is a very good cultural actress .so i love him . in the film the songs is really good to see and hear
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(According to Uijj Hjh Bang Bang is a 5 star movie)

this the one of my best movie and btst evtr seen . good luck all team members of bang bang. i hope in future i expect another good movie like this . the songs of the movie is better than the other movies of your film industry . actor and actress good job with the bang bang movie
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(According to Uijj Hjh A Decent Arrangement is a 5 star movie)

really good movie for all kind of ages people . nice one i love it . the songs of this movie is better of my life and momentous . you are looking the movie for you r past memory . the actor was really good man of well body yu yoo man
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