(According to Priyaank Vajpeyee Star Wars: The Force Awakens is a 3 star movie)

it was the amazing moving i like it nd request to ol 2 watch that as i have seen it 2 times in same week luckily, it's also a totally exhilarating one. episode vii is such a worthy successor to the original trilogy that it's difficult to imagine how it could have turned out much better. after three years of ever-growing hype, jj abrams has pretty much nailed it, making a film that's simultaneously reverent to the source material, yet prepared to strike out on its own and be its own thing.
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(According to Priyaank Vajpeyee Angry Indian Goddesses is a 3 star movie)

the opening of film was incredible as the opening credits are a brilliant start for a film celebrating womanhood and friendship. it is a montage of sequences from the lives of these eight women fighting against misogyny in their different worlds: from struggling to be heard in a male-dominant film industry to facing the many lecherous looks while walking down a street, the prelude sets the pace for what’s in store -- women fighting gender inequality through the various phases of their lives.
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(According to Priyaank Vajpeyee Hate Story 3 is a 3 star movie)

i hope that the story will be awesome but the truth is when i saw this movie, i actually expected a decent movie. (i really did not have a reason to because vivek agnihotri isn't even a decent story-teller) still, the trailer made me have slight hope. however, that hope was gone within the first 20 minutes. more on that in a bit, first the synopsis.
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(According to Priyaank Vajpeyee Bajirao Mastani is a 4 star movie)

nice film after a time by sanjay leela bhansali in 2015 a great awaited movie the second wife story was good nd liked by most people all eyes turned to peshwa bajirao a warrior in full glory of manhood have wow seens as oh look, there’s a lovely chandelier, and gasp, what a beautiful glass palace ( `mughal-e-azam’ has a lot to answer for when it comes to our fascination with glass studded walls and ceilings),
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(According to Priyaank Vajpeyee Dilwale is a 3 star movie)

i had hopes from ‘diwale’, essentially because i had enjoyed, for the most part, the previous shah rukh khan-rohit shetty combine. ‘chennai express’ had a tweaked rohit shetty sensibility (we’ll take you to south india, and have characters yak away in tamil minus translation, and if you don’t understand, too bad) and srk’s ability to send himself up, and delivered some amount of fresh fun. yes, cars do play a big part here, as they do in most shetty films. and yes, a couple blow up most satisfactorily. but ‘dilwale’, on the whole, is a plotless drag : the slaphappy antics you see on screen are a random jumble of light, camera, action, done in the broadest sense. in this rigmarole, srk is the only thing worth watching when he switches on the wattage ( kajol can shine, too, when she chooses to), but his twin parts—a ‘car modifier’ named raj, and a gangster called kali (yes, that’s right), are both familiar and bland. when old hands srk and kajol look into each other’s eyes, they can still make you feel it, except it doesn’t happen enough. not by a long shot.
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