(According to Nishant Chaudhari Roy is a 2 star movie)

the story of the film is a blur that assumes clarity only very rarely and momentarily. grasp it with alacrity or it slips out. ranbir kapoor can light up the screen with his expressive eyes and impish grin even when nothing else seems to be happening. the director, who is also the co-writer of the dialogue, knows the primacy of a kahani, if the lines his characters spout are any indication. he does not, however, follow it up with tangible action. one character puts it unambiguously: if a story is not going anywhere it is best to cut it short. but where, pray, is the story in roy? recommended only if you want to use the auditorium for a relaxing catnap. roy will not wake you up.
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